New York Jewish fiction writer Susan Daitch's third novel Paper Conspiracies, which was published last week by City Lights Books, takes an indirect approach to late Nineteenth Century France's Dreyfus Affair by way of peripheral minor actors in the scandal and via cinema pioneer Georges Mèliés' contemporaneous dramtized documentary film L'affaire Dreyfus . The novel's six sections alternate between 1990s New York and Paris in the 1890s, 1930s, and 1968. In my New York Journal of Books review of the novel I enthusiastically recommend the book "to fans of highbrow, erudite historical fiction. Readers who enjoy the novels of Umberto Eco, for example, will probably also enjoy those of Ms. Daitch.” I also draw an analogy between late Nineteenth Century French anti-Semitism and Twentyfirst Century American Islamophobia.
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